The Words are the Water

“Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.” Norman Maclean, A River Runs Through It

 

When I saw the movie, A River Runs Through It, I had one of those rare moments where art makes you silent inside and allows your mind to open into the sense of awe and beauty. It is the moment where you know you are sitting inside deep truth and that you have always known. It was the first time I’ve experienced silence and stillness after the movie ended. No one moved and the theatre was quiet. After, when the lights came up a few of us made eye contact – seeking confirmation that other people experienced what we had. I looked into moist eyes of knowing and we nodded to each other. Yes, it was beautiful and yes, I am transformed as well.

Despite my youth (I was sixteen?), I knew what Norman Maclean said was truth and that he was not only telling his family story, but mine as well. I later read the book and the words have become a touchstone for me that I’ve meditated on all these years. They came back to me recently while I was beginning to research a new series on language.

 I’ve slowly begun language studies to learn Finnish. Learning Finnish for me has a deeper urge than just wanting to understand and travel easier. Language is the means for connection, identity and unlocks memory. I love listening to Finnish and I do recognize words, so there is hope for me. I’ve been thinking about my great grandmother, Amanda, lately or I should say more so than usual. I have so many questions about her and a desire to know her. I know that I was named for her and in my research and readings, I ran across the term namesake.

 Namesake: one who is named after another or for whom another is named

 I’ve been thinking about the definition for a few days now, and I’m struck by the mutuality that it implies. At first, I thought it was a one way – a name given, but now I see it is a name shared. A mutual relationship. By naming me for Amanda, my mother tied me to her. There must have been a reason. Unfortunately, I did not ask or understand that reason. If only as children, we knew to ask the second, third and remaining questions. To understand Amanda, I would need to speak her language as I’ve been told she never learned English. I would love to ask her, what does it mean to be Finnish? And then ask the second and third questions.

My next work will begin to incorporate my language learning. I started to think about making flashcards to help encode the words into my memory and to improve my recall. Then I began to think about stitching flashcards. The physicality of stitching would really help some of the words take root. From there I began to think about embedding them into my work. I still wasn’t sure how the words would manifest as the work isn’t just about the words.

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I was watching a travel video of Finland the other day with my husband. I was feeling sad that our trip had to be postponed and feeling the familiar ache for Finland. Can you be homesick for a place you’ve never been before?  There was a series of aerial shots over Finland’s many lakes and I heard “the words are the water” in my head. So, I think I will follow those words and stitch the words into the water section of my piece and go from there.

I was messaging with a friend/colleague this week expressing my lost feeling. Post large projects, there is often a feeling of let down – of inner collapse. I go from the certainty of knowing what I’m doing or supposed to be doing, to feeling little energy, little certainty about what comes next and I feel like I’m wasting time. This happens a lot. It is part of the process. I know this and yet I always fight it. I did a lot of writing through this time and came upon what comes next after reflecting on my idea – incorporate my language learning into the piece. At that time, I didn’t know much of anything of how the idea might take shape. But in writing and thinking, I found the answer. The mind is a curious thing, it stores all these experiences that shape our thinking and helps us find the answers we’ve left for ourselves. I don’t know what I really think about something until I write it.

 Since beginning my thesis, I knew that writing would return to my life and that it was an important part of my studio work. In returning to it, it has helped feed my work and my work feeds my writing, a mutual relationship. An Instagram follower asked me about my green quilt (part of the large project I just finished) and if I had a blog where I talked about it more. Her question brought my own inner nagging forward to restart my blog. I will write about the green quilt and the white quilt and all the photos that I posted to Instagram about them. I just need a little space around them to think and then I’ll share more about them. So, thank you Instagram follower – I’m restarting my blog. I can’t promise that I’ll be a faithful blogger, but I’ll try to share my thoughts, experiments and work both written and stitched.

 

Way Closed, Way Open

A year ago, my husband and I decided to stay in St. Louis. An opportunity to move to the Bay area in California was tempting. A fresh start, a secure job, a boost in pay to make up for the cost of living increase, mountains, the outdoors, and a friendly climate were all very alluring. As we considered it over several months, the things we would leave behind began to mount in our discussions and ultimately we valued them over new opportunities.

A reckoning is a good thing. It makes things clear, provided we are willing to pay attention. At first I felt bittersweet sadness about not moving. Our plan had been so long in the consideration that I hadn’t really thought about plan B. I graduated in May of 2018 with my MFA and I had put off making a goal for myself. I’d already have plenty to do with the move. So staying meant I needed to have a plan for what was next.

I spent the year finishing up a contract job I had started in graduate school and took on a part time role in a job that was somewhat related to my field. I figured it was something to do until I figured it out.  The problem with this is I didn’t figure it out. I got busy. I got lost and I wasn’t even really conscious that it was happening.

I didn’t make my art for that year after grad school. I didn’t even feel like making art. I worried that I had just spent three years of my life taking myself apart and putting myself back together only to not be an artist anymore. I knew I should be making art and started to make some adjustments to allow it to happen again.

I ended the somewhat related job when my contract position was up. I was offered a new contract to resume my work in August. My schedule was flexible and I settled on three days in the job, two days in my studio. I had a month long break in July between job contracts and I treated it as a vacation. While my art practice still languished, I made a few pieces for shows coming up in the fall. Innovations in Textiles was being again and the Surface Design Association Conference was in St. Louis. There were shows that I wanted to be part of and I had a few invitations as well. I committed to them all to make sure that I would return to my studio.

When it became clear that that contract wasn’t happening it forced a lot of questions that needed to be answered. I started job searching and adjusting to plan B.

The week of the conference has been incredibly busy. Having a well-defined role in working the conference, it got me out of my head and got me to engage with the textile community. While going to a show opening with my husband this week, we discussed my anxiety about what was next for me and he asked the million-dollar question: ”If you could do anything in the world, what would you do?” I had no real answer – but listed off full time artist and a few other things that related to what I had been doing. He encouraged me to not answer right away but to work on my art in the meantime.

I gave myself homework to make a list of every job/career that I was interested in. Under the heading of artist the bullet points were rapidly being added. There is so much under this heading so many parts that I am interested in: making, exhibiting, selling work, writing, teaching, residencies, pursing grants to support projects, doing freelance work, etc.

The other headings remained only headings. I had no interest in fleshing them out more.

The answer was repeated over and over again outside of my list. Several artists that I respect told me to do the work. What was next was for me to do the work. Build my career. Pursue the things that I had gotten sidetracked on.

While looking for something in a drawer, I found a map piece of Finland that I used as a pattern for work that I started but ultimately abandoned. I applied for a Fulbright grant while in grad school to go to Finland for research. While the grant wasn’t successful, I still have the longing to go. Maybe I could look at that again.

More people told me to do the work. Apply for this residency. The opportunities kept making themselves known.

So here I am the day after my birthday. Another year to look to. In a transition period. Supported by a large group of incredible artists at the conference. And I need not ask the question “What job shall I do?”  I need only to ask, “What is next?”

The Penland Experience

2020 Note - This entry was imported from my old blog, some of the links may not be active.

I've spent the last two weeks at Penland School of Crafts in the mountains near Asheville, NC. It is an interesting place that I've been trying to wrap my head around the entire time I've been here.

There are parts that are lovely. Really lovely. I've not tired of watching the light change on the mountains. Watching the rain come in and out. Stunning.

Rebecca Mezoff invited me to be her studio assistant and I quickly said yes.  Our class was fantastic and really pushed themselves hard.  Many were beginners and the work they produced was amazing.  Read more about the class and see photos on Rebecca's blog.  I'm so grateful to get to work with Rebecca again and to spend more time with her.  She really is as nice in person as she is online.

There are other parts of Penland that were really hard.  The heat has been the most challenging as the buildings aren't air conditioned. It really takes it out of you! Some of the buildings don't have screens and some of the insects are amazingly large. Sometimes the noise of having open windows and a lot of people in a small location made sleep fleeting.  Sleep deprivation does add up.  

It was hard to step out of my life for two weeks and miss my anniversary for the third year in a row.  I gained a new appreciation for the life that I have at home.  I have an amazing community, work I love, school that challenges me and allows me to grow, and incredible support everywhere.

In a way Penland is like grad school condensed to two weeks, with a lot more age diversity thrown in. Folks come with such high expectations - they will make amazing work (and some do), they will change their lives/careers, work, work, work, work!  I went in with a few goals - learn new skills (James Koehler interlock), engage with the community, present my short artist talk to an alarming amount of people and let the experience unfold without wrestling for control.    

The people at Penland have been lovely. I've met people that have become instant friends.  We have shared many meals together and porch sitting kind of talks.  Penland is run on people power.  There is an amazing crew of ever changing student workers that provide everything to keep this place running.   I've tried to say thank you to them each chance that I got - they work hard, in challenging conditions with a lot of it unseen.   

On my last night, I directed many newcomers to find their housing for the night, bedding, studio locations and orienting them to how Penland works.  It is amazing how the routines and rhythms of a place sink in.  By Sunday, they will know how Penland works and will guide other students into the routines as well.  There will be other intimacies of Penland they will discover.  The best porches to sit on and watch the storms roll in.  The blazing heat of the day, and the cool breeze of night.  The mist that clings to the mountains after rain.  The large moths which populate the hallways and bathrooms.  They'll find their own special places.  

Penland spaces.  Note my simple hack to keep larger insects out of my room.  Toilet paper is useful for chinking in gaps of wooden screens.  Bath mats are useful for under the door insects.

Soon these newcomers will grow tired of the food (which is consistently good), miss their own bed and feel as tired as I do right now.  I saw it on the faces of outgoing group of assistants and work study students when I cheerfully came to Penland two weeks ago.  It is a cycle which repeats itself many times during the summer sessions.

It was the most wonderful and awful thing I've done in a long time.